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Once Upon A Are You Kidding Me? Outsider Edition.

Once Upon a Time! Why do you keep hitting yourself? More importantly, why do you keep hitting your AUDIENCE?

Look. I really like you, okay. Like, REALLY like you. I don’t want to break up. You fill an important place in my life, and you’re making fairy tales more seriously mainstream even with all your missteps. You’re doing valuable work.

We could be so much more together.

I mean, you do some stuff right. You employ Robert Carlyle. Brilliant decision on your part. You also sometimes manage to demonstrate just how thorny and nuanced fairy tales truly are! It’s not all Prince Charmings and True Love’s Kiss, but also hard work and blood and pain and betrayal and hard decisions. You prize cleverness and goodness, and show where wickedness can have genuinely good intentions or innocent beginnings. Props where props are due.

But you’ve gotta stop abusing my trust. Full stop. “The Outsider” and– more importantly– the character of Belle screams this in big sparkly letters:

(I will cut you with my literalness.)

Here are 5 things I’m gonna need you to cut the hell out, right now:

1. Your OTP of Belle/Captivity. 

Sassy Belle is not impressed by your shenanigans.

One of Belle’s key quotes from this series is “No one decides my fate but me.” This is terribly ironic, since she can’t seem to stay out of captivity. Her story begins in captivity, though her first captor has the decency to fall in love with her and set her free. Then she’s locked up by the Evil Queen in two different worlds, and freed only thanks to the intervention of a certain Mad Hatter. (Jefferson! You sexy bitch!)  Next, her own father organized her kidnapping and imprisonment in a runaway mine car, since he thought mindwiping her was such a better fate than being in love with Rumpelstiltskin. (Wow. That’s quality parenting.) Then there was that time that Ruby shackled her in the library for her own good. ‘The Outsider” had her briefly trapped in an elevator, briefly cornered on a ship, and finally showed her capture by the Evil Queen back in FTL. And I missing any? Probably.

I would just really like an entire episode about Belle where she is not consigning herself into captivity, being threatened because of who she loves, being kidnapped, being locked up for her own good, or being aggressively told to stay out of things for her own good.

2. Your Allergy to Montages.

We're going to need a montage! ...even Rocky had a montage.

You know what can help a story that’s small due to time and budget constraints seem longer than it is? A montage. Trey Parker wrote a song about it and everything. In Once Upon a Time, we’re asked to believe that Belle and Rumpelstiltskin developed an entire relationship based on one fall from the curtains and incredibly brief repartee as Belle – well, there’s just no other way to say this. As Belle prunes a rose that used to be her former suitor to better fit him into a vase.

That’s just one example of the brief, slipshod storytelling OUAT has periodically asked us to swallow. Another? How about Belle tracking down the Yaoguai in a few brief hours, and then doing it all again with Mulan before the day was out? (Sorry, guys, last time I checked, actual people experienced with the actual woods beat book-learnin’ every time. Books are a great place to start, but nothing trumps experience in tracking. Which Mulan has tons of. This should have been adjusted to involve them having to work together rather than Belle just being more capable because of her book.)

Montage! Why the hell did neither of these situations call for a montage? For fucks’ sake, Disney’s Beauty and the Beast does the romance better! WITH A MONTAGE! And I would have liked Belle’s adventure to have lasted a few weeks, which tracking down a ravening fiery beast that is tricksy enough to hide for weeks from a skilled (former) member of the Chinese army seems to call for.

3. Your Supernatural Inconsistency.

Sorry. My nose just doesn't work this week.

So, Ruby. Werewolf, right? Very tragic back-story. Killed her boyfriend Peter. (Wow, that Russian story did NOT turn out like we thought.) Has to wear a red cloak to prevent herself from changing, which is okay, since it’s pretty bitchin’. (Red Riding Hood-lover here, trufax.) Learned control, lives with grandma (who doesn’t need no huntsman, no how), almost got killed by a mob a few episodes ago.

You know what she also did just a few episodes ago? She smelled a piece of clothing that Belle had been wearing, and successfully followed her fading scent across a number of streets before losing it.

She tracked Belle. A person relatively new in her life. By scent. In the middle of a small town.

So… why the fuck did she not realize the corpse in “The Cricket Game” (and, considering the funeral, in “The Outsider”) wasn’t Archie? I suppose you could argue that Cora disguised the corpse so thoroughly that she also replicated Archie’s scent, but. She didn’t even thoroughly disguise herself as Regina well enough to fool PONGO. Ruby was ACROSS THE STREET when Cora-as-Regina walked into Archie’s office. Intentionally letting Ruby see her. If she knows a werewolf is in town, paraded her disguise right in front of said werewolf, and yet couldn’t even entirely fool Pongo? I don’t feel comfortable buying she replicated all-things-Archie in the corpse.

This isn’t the only bit of supernatural inconsistency on the show, of course. Just the one that annoyed me here in “The Outsider.” Let’s not get lost in the finer points of heart-removal or the mind-boggling logistics of a child growing up in a cursed town where time didn’t move for anyone else.

 4. Your Obsession With Snowing. 

That's right, Charmings! Cover yourselves!

Okay, fine, your love story between Snow White and Prince Charming was the central focus of S1. You know what, though? You’ve beaten it to death. TO DEATH. I was sick and tired of Mary Margaret and David by the middle of the first season, and I’m not the only one. I actually snicker now when they invoke their “I will always find you” shtick  Yes. You will. We know this. There’s no narrative tension there anymore. The series has grown so far beyond them, that it’d be nice for other interpersonal relationships to get more screen time. Like Belle and Rumpelstiltskin. Considering that relationship involves a man’s bitter struggle to redeem himself, I assure you that it’s infinitely more interesting than your two goody-goodies who are firmly entrenched as a couple.

Here, I’ll give you a list of relationships that need more screen time: Emma/August, Emma/Neal, Emma/Jefferson, Emma/Regina, Emma/Anyone, Regina/Anyone, Grumpy/Nova, Ruby/Archie, Ruby/Woods, Belle/Freedom, Belle/Rumpelstiltskin, Hook/Getting-Beaten-by-Things, Cora/Regret, etc. ad nauseam. (I am aware some of these relationships don’t exist. But they COULD.)

Hell, we don’t even have to spend the screen time on romantic relationships. There are plenty of parent-child relationships that desperately need the time. Here’s another list: Emma/Henry, Regina/Henry, Regina/Standing-Up-to-Cora, Jefferson/Grace, Geppetto/August, Belle/Moe, Snow White/Emma, Charming/Emma, and yeah.

Less time on Snowing, please, more time on anything else.

5. Your Habit of Fridging/Compromising Promising Heroines.

What the fuck are the writers THINKING?!

 

This is the most egregious fault, OUAT. Just. Look. You do know that Mulan joined the Chinese army and distinguished herself there, right? She had training? As a warrior? Also, she’s really remarkably clever. Yet so far, in OUAT, you’ve had her aver that she was Phillip’s best chance against the wraith and then do nothing once she found him but cling to Aurora and scream? Flat-out run away from ogres? At least she fought some undead. But then, in a flashback story with her fresh out of the army, you made her an abominable tracker and had her send a bookish adventurer on her own to deal with a rampaging demon. I don’t care if she was wounded! Mulan would have wrapped that fucking leg, and hobbled down there on a damn crutch if she had to. She was the one with martial training, and she would have been invaluable in directing Belle.

I know that’s not really fridging, so let’s move on to Belle. Belle was so promising. As arguably my favorite Disney “princess,” I’ve always valued her bookishness, compassion, and thirst for adventure. I had hopes that the show would develop her as more than Rumpelstiltskin’s chance at redemption, but a full-fledged character in her own right. Instead, we get flashes and hints that she is, but no meat. We don’t even get a good look at how the Rumbelle romance is actually developing. Instead, with the most screen time since she was last kidnapped, “The Outsider” gives us a taste of Belle’s glorious potential — only to rip it all away in a horribly literal way thanks to Hook and the accursed town line.

I’m sure it’s going to be reversed, and there’s the potential that we’ll see what Belle is really made of as she struggles back to herself. It’s equally likely that it’ll be broken with magic and very little effort on her part. But none of that matters here, because the character was compromised just to cause Rumpelstiltskin pain.

Oh well. At least Hook got hit by a car.

Once Upon a Time Are You Kidding Me? out.

 

Note: I made the glittery banner using cooltext.com. The amazing Hook/Car GIF was done by wondertwinc over on Tumblr.

{ 6 comments… add one }
  • sara February 1, 2013, 10:56 PM

    One thing I wish they’d drop was Belle’s obsessive delusions. The “he has a good heart and he has changed” thing would have been a lot better if it hadn’t been immediately after kidnapping and experimenting on someone, turning them into a rat and immediately followed by beating the crap out of someone for having a pretty reasonable grudge. At this point she’s an automaton character who seems so brainwashed she’s not even operating on reason or even her old standby book learnin’, just accepting lies and rejecting the truth.

    • Deborah February 2, 2013, 8:45 AM

      They say this show is all about love, but I don’t believe they’ve given us an accurate depiction of romantic love yet. Everything’s all epic and one-dimensional in FTL – True Love or nothing at all – and they’ve tried to paste that over into our world. Even though they had Snow White and Charming as adulterers as Mary Margaret and David, it was because their Epic Love was bleeding through the Curse. It was never depicted as two people who fell in love inopportunely and acted selfishly – they had a CONNECTION.

      So, Belle. I loved the promise of Belle in “Skin Deep,” and I was really looking forward to seeing her flourish as a fully three dimensional character when they announced she was coming back. Instead, they’ve given us a cipher whose primary role is plot device in Rumpelstiltskin’s story. Rumpel needs someone to believe in him and love him unconditionally if he’s to stand any chance of improving himself, because… he’s still a coward and doesn’t have the self-rectitude to find it in himself to EARN someone else’s affection and a relationship with that person? It’s easier just to be evil and alone and get what he wants? Which isn’t a good sign since he’s gotten to the point where he’s preparing to prostate himself before Bae.

      Of course, the love between parent and child seems to be the only type of love the show’s attempted to depict with any realism.

      Thanks for an engaging comment!

  • Vee February 5, 2013, 1:34 AM

    Great article, and 1 correction I think should be made. “Considering that relationship involves a man’s bitter struggle to redeem himself…” yes, I know the show is trying to force this, but it should be “bitter struggle to have his cake and eat it too” – so far he isn’t going for redemption AT ALL, but the writers would like us to think of it that way. They’re failing miserably.

    • RVCBard February 5, 2013, 2:19 AM

      Co-sign for truth!

    • Deborah February 5, 2013, 6:22 PM

      …I wish I could argue with this, but it’s impossible. The narrative hasn’t even given him a reason to repent of his past evil yet — why should he, when he’s gotten everything he wanted? A way to our world, power in Storybrooke, magic to retain that power. All he has to do is make an effort to not kill people in front of Belle, and the rest is fair game. Sigh.

      I have hopes that he’ll give it all up when he finds Bae and makes the choice he should have made so long ago — but, of course, the narrative won’t let him. He’ll have to keep his power until the bitter end, but I still foster hope they’ll shift him into struggling against it.

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